The emergence of this so different art facts would not be possible without this, the beauty that radiate joy and the passion would be unthinkable. Because veracity reproduces only the sum of all that. Anyone am I up date meets the criminally this woodwork underestimated, rather I comfort me time to time on the glowing eyes of the beholder and always tell them again and again, it’ll be full the stories to the Porsches, Edekas and Ponyhofe. Gross-Fiand’sche props chainsaw, carving knife, spirit, and color, are using those they a plea create for seductive lascivious dreamscapes uniting two highly creative art heads, which boldly move forward in thought and deed, everyone for himself and at the end no one ahead of the other. In its concentration on moods, the telling of stories (whose Ende is usually open) they warm in this fruitful symbiosis in a robe imagination overflowing uniqueness. The works that then arise from the individuality gifts of both make great pleasure: in addition to the relief, the work of both artists, crowns in the stelae by it like a yellow and and a blue tincture merges and one is green to something entirely new. Gross in the stringency of the body is present, Fiand crowns the work on top with a clear and expressive character, the aura of the work sensualisiert and thus perfected. Falling us a work such as the community works by Andy Warhol and Jean Michel Basquiat, which establish, in effect two painters on the slide becomes clear in the work of our two sculptors, that each brings his own personal artistic dance, which is then equally next to each other and is to be something private, who told history itself is always between fact and fiction. Can you blamed me for this Ambrosia my addiction? Michael Marius marks