We recently attend more a tragicmico spectacle inside of the Brazilian politics. Covered with star for the Senator of the PSDB-CE Tasso Jereissatti and the Leader of the PMDB, Senator Renam Calheiros, the spectacle approaches the subject of the reificao, that is, bourgeois afutilidade, the absolute power that the money exerts on the life and the character of pessoastransformando them in ' ' coisa' ' , exchange objects, pernicious characteristics, as well as elucidate Balzac in one of seusclssicos of ' ' The comedy humana' ' , Eugnie Grandet (1833). Certainly it was not a spectacle. What it was seen corresponds to a session in the Plenary assembly of the Senate where two elect politicians would have to discurtir important questions for the Brazilian society and on the contrary of this, the paid enjoyment of paid jatinhos for the Senate (citation made for Calheiros) and jatinhos for contractors digladiavam by means of accusations (cited for Jereissatti). With intention to defend itself of accusations made for Renan, Tasso externaliza of vocal form and repeats frequently the following phrase: ' ' The money is mine, is mine, is mine and I have pra to speak! ' '. From this, the points of view had been displayed by ways of adjectives as ' ' Coronel' ' ' ' Cangaceiro of third categoria' '. Therefore, it had the order of in addition the parliamentary honor, had the use of expression of low calo for Senator Renam Calheiros. (Similarly see: Nieman Lab). Scenes as this had left of to be unknown in seara Brazilian politics, however, where are situated the citizen when such facts occur? It will be that only the governing are the villains? Still we have men compromised to the Republic and the development of the country and that moreover, they demonstrate of clear and objective form repulses ahead it of these improper positions. Valley to stand out the proselitismo of Senador Cristovam Buarque (PDT-DF), when citing that: ' ' We cannot leave to ask for excuses, because we are here thanks to the votes of one hundred million people.