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Contemporary Women

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The woman contemporary is one another man inside of house or half man and half woman, the man contemporary is not different is also a little man and a little woman. The tolerance and the dependence one stops with the other very diminishes in our which had time, the economic power of the woman. If this has piqued your curiosity, check out Boy Scouts of America. If the man loses or worsening and its social condition and the woman has more chances of progress, is near-normal that it will not support this man who is less than it socially. She is of this dissatisfaction will come probably the end of the consisting family already. I am saying of consisting family the traditional way, and not them many possibilities of associations that today we call also them of family. Yes, it is clearly that the man still possesss the cafajeste behavior to abandon woman and family when starts to have one better social condition, is clearly that this occurs after it being catches in instant.

The woman is much more direct, this because not – you set in motion equal the men, the exit of the woman if of when it starts to think that she deserves much more of what she possesss at that moment. The television comes back and stocking of a the news of a husband who killed the wife and the children because he did not support the resultant humilhao of the fact to be dismissed the much time, therefore ahead demoralized of its family and its wife. Of this man it was taken off what its instinct of male (without the pejorativo direction) always affirmed: man supports the house and woman educates the children. Today she says yourself very in descaracterizao, but that we see is an enormous crisis of identity, the woman biological and in the psychological essence the same woman of before industrialization and the technology, in a similar way he is the man, the same to be primitive with instincts of conquests. It will be that in the truth we do not conquer nothing, and everything did not pass of a natural process, and a necessity of a moment, will be that in the truth we men and women are not more guilty victims of what of history contemporary. J.

Lone White Sail

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It created image becomes the object of attention of the reader, is of interest to the product and the emotional response in the reader. Poems of classical poets, who took a worthy place in the history of Russian literature, confirm this axiom. Rich and extremely interesting system of imagery in the poems of Pushkin, Lermontov, Blok, Gumilev, , Esenina, Tsvetaeva, Mandelstam, Pasternak! Let us remember their verses: "oro", "Lone White Sail" "Twelve", "Giraffe" and others. In it really in his poem "oro" Pushkin told us about the tree oro, or he meant something more? Of course, much more. But what would have happened if he had written about this "more" directly and ingenuously, calling a spade "a spade". Not trying to clothe your opinion, outlook and philosophy in a concise, vivid and memorable image, but "spreading the idea of the tree, a long and detailed explained to us, what a bad thing – a tradition of exploitation of man by man, and he strongly disagrees. Even a great style, even in rhyme – but it would not have been poetry.

And it would no longer Pushkin! Poetry – art image, art, parables and analogies. The art of silence about the main thing. The art of hiring. The highest achievement of the poet who writes poems about love – not to utter words of love, progovorennye to it millions of times, and did not come up with new ones, but silence about it – make it clear to the reader that he wrote about love, think about it, lives it and breathes. Strikes the reader is not the fact of recognition lyrical in feeling and passion, whom they had exposed, but the moment of self-awareness and understanding of these motives.

Do not need him to explain. It feels lyrical hero. Make him feel those feelings. And jump on speculation that the poet had in mind the same thing. Here's how to begin poetry. And not only in verse, and not even only in literature but also in every product of a different kind of art.

The Pirate

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Pra has people traz of the foreigner, people pra to distribute advantages peddler and people pra charge. Who in a paid one leads porrada. Thus this face that it commands is that he is rich. You thinking about come fic rich seeing counterfeited or stolen thing. CELSO: – Stolen? But you go to be not capitalist thief and.

TONHO: – This if calls piracy, babaca! They exactly back in the square say to record pirate. This is piracy. Pirate takes thing of the others and thus he is rich. You in one already heard pirate history. Therefore he is, pra fic more rich has that you are the head of the pirate, who people order the fools faz the work and people are with everything. CELSO: – Then you want you are capitalist and pirate? TONHO: – The same thing Is everything. (The two boys lie down in the soil to sleep.

They pass for the scene the Industrial and the Journalist). JOURNALIST: – This slum quarter only Sees. The poor person number is increasing very, this you if becoming a national calamity, we need to make some thing. I tava thinking about also making a campaign in my periodical and in the TV and radio for one better distribution of income. We go to make a news article series on the poverty. This people that deferred payment without my conditions. INDUSTRIAL: – Good idea, but does not forget that this only decides with more job and more necessary job of more investment of the government in the industry. JOURNALIST: – Where you want to arrive? INDUSTRIAL: – Elementary, my expensive one, I subsidize, fiscal resignation, loan the privileged interests. It knows you that the government has deep pra this. Right now the government does not go to create a deep one to fight poverty? Then, in what it goes to invest this money? It goes to distribute poor advantages? It does not go to decide the problem.

The Airplane

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Because the main quality of the hero was what the Greeks called Arete (virtue): that one that if keeps fidiciary office exactly itself. In the end of long depressive crisis It scraped the head completely and came back to the old form with the force tripled For everything what he passed Insane person, wild Joquim the insane person of the blue hat All spoke and all knew That the face if did not deliver When our personage has its denied license the tragic action if she develops. When hearing deuses to say to it? not? , it not low the head in humble submission, in contrast, defies deuses to a good combat; in way that the more its power politician diminishes, plus its literary power he grows. Joquim does not keep silent, uiva to the four winds everything what its anger and its humiliated genius command to it, is when we have agon, that it is an organized confrontation, in which if they oppose two long speeches, generally followed of a verse interchange, becoming the contrasts densest, tenser, crepitantes. In agon, each one defended its point of view with all possible rhetorical force, in a great exposition of arguments, that of course contribua to clarify its thought, or its passion; As the following verses of the song exemplificam: Deflagrou a furious campaign Of denunciations and protests Against the powerful ones Played books and pamphlets of the airplane Were implacable in speeches notables But although Joquim to have come back to its old form with the force tripled for everything what it passed, although it to offer itself in sacrifice defying to deuses; this hero goes to learn, and of the form most painful, that to launch challenge to deuses is not an act, exactly bravely heroic, that passes in white clouds, the action human being does not have in itself force sufficient to leave of side the power of deuses, nor autonomy sufficient to conceive itself fully is of them.

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